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Glowing sunrises and sunsets. Long-deserted apple trees bearing pockmarked fruit. A farmhouse, gently molting its exterior paint.

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In “God Knows Where I Am,” directors Jedd and Todd Wider employ some stunning, nostalgic-tinged cinematography—shot with a variety of film cameras, including a 1939 Bell & Howell, which was used in WWII war photography—to recreate the bucolic solitude that would mark the final months of Linda Bishop’s life.

The 50-something was found dead in May 2008, lying in the middle of the farmhouse, her shoes neatly stored beside her decomposing corpse.

Bishop’s suicide note was addressed to “Whomever finds my body” and claimed that she had been the victim of domestic violence. But it turns out the message was not a suicide letter at all. Law enforcement, some of them interviewed in the film, pieced together what happened to Bishop through a journal she left behind, in which she detailed several months of squatting in the abandoned farmhouse, waiting for her be